Thursday, 30 December 2010
Teenage rant (found it, wrote it a while ago)
Friday, 24 December 2010
Top 20 Albums
http://www.soundshock.com/index.php/breaking-the-waves/2672-soundshocks-top-20-albums-of-2010
Southern Lord
Someone’s been keeping a secret.
Deep from the depths of the internationally revered Godcity Studio, where Kurt Ballou of Converge fame, responsible for producing and engineering such prime works as the much lamented Beecher, has been helping craft a work of dripping spite. It’s not yet known how you hold the album, let alone endure the band’s renowned violent live performances.
Glancing at the credentials of this band, you’d expect it to follow the vein of the ‘verge or associated works and it does this, but it's a work that has one foot planted firmly in the past and one in an unknown future. Where most hardcore bands tend to take from and forget their roots, Nails have thrown up a memoriam to the past and shown that not everything about it should be forgotten. Enforced messages without browbeating ferocity. Staccato riffs without that atypical Hatebreed sound. Rhythm that holds you for a second, then kicks your face through. It’s not oft that a band can contain so many pointers to well trodden ground and produce something so fresh.
Unsilent Death as an album is an absolute fist. For a moment close your eyes, listen well and it eviscerates Nasum at their most inspiring. Stay safe at home and listen to Unsilent Death in safety…or get out and find Nails play live and enjoy catharsis in its purest, unadulterated form.
9/10
You’ll like this if Ed Gein are your chums and Hatebreed are too chummy.
Sam Rhodes
ATP
All Tomorrows Parties Festival ‘The Nightmare Before Christmas’
Butlins: Minehead
Very rarely is a festival so aptly named. This stalwart gathering, always evolving, ever changing but justifiably clinging to its independent musical ethos has provided to be a nightmare in both sonic terror and abominable snowy weather.
For those unaware of ATP and its unassailable credentials, for the past decade it’s been the provider and benefactor of the most awe-inspiring and far reaching musical vision to spill forth from that most comforting moment-the inspired idea. Imagine for a moment, that you could call upon your most adored artist to headline a festival, then that artist has a convocation with like minded and admired artists and gets them to play said festival, until you harbour a veritable feast of aural ingredients. (Just to veer into the concise, it’s essentially akin to a DJ selecting songs for a set, but upon a grandiose scale)
This then is ATP…select a defining band, allow them to curate the line-up, warm gently over a completely independent event without sponsorship, finished off with the accoutrements of approachability and a total lack of pretence, no person having a precedence over another, to the point that bands cohabit with attendees in the chalet blocks (it’s held on a Butlins) so always say hello to your neighbours…It just may be Mastodon.
This year’s curators are Godspeed You! Black Emperor, a progressive orchestral rock band which to the cry of many, imploded many years ago. So for ATP to get them to reform was a coup d’état veering heavily to the epic!! You knew instantly this year’s rostra would be bursting with choice cuts.
Nobody was disappointed. Not a drop.
You wouldn’t be argued with if you thought previous to hearing the line-up announcement that the majority of sounds would be placed in the “post” (choose you genre here) camp, expectantly so when Godspeed were choosing the line-up, but in reality there’s always something for everyone from Shoegaze and Freeform Jazz, juxtaposed against Eastern Bloc Gypsy Brass bands, to your more traditional digital noise manipulators fighting it out against through and through dyed in the wool Black Metal.
The introductory night brought artists across a multitude of stages, several having to have their times rearranged due to bands caught short due to the frankly ridiculous weather conditions. This in turn brought an element of unwanted surprise. Arriving to watch a band to be greeted by a sign saying they had played three hours earlier can bring a diehard fan to tears or outright rage. Impromptu lies rife within ATP this year.
However, at the very least Godspeed and Neurosis were playing more than once, saving us the sight of grown humans weeping under a ‘cancelled set’ poster.
First up is Godspeed you! Black Emperor. An anticipatory silence falls over the crowd as they introduce the first notes played together on a stage for many years. These notes coagulate and clot, forming a pulsating wave of bass and drum, low at first, each member aware of each other, each member aware of the causation and effect they bring. This is the antithesis to the compression age, the reaction to the action of constant exacting attack. They suddenly spring out of the sound system, every sensory part of your body alert to the nuance delivered, then calm, the sails let down and you’re left to drift with them lulled into a lucid dreamlike state, only to again explode upon you and you are left shaking and breathless as strings and bows and coiled wire and stretched string unravel you and what you knew as musical dynamic and replace them with new peaks and troughs. Privy to only a few, looked over by many, those who stood for any one of their sets knew what it was to be alive once more.
Worthy of note on this night was the follow up Tim Hecker, moved forward two hours due to…It doesn’t warrant the word count. Fucking snow.
Tim Hecker’s set should be properly called ‘How to breed a feeling of melancholy in one hour.’ Tim is a world renowned sound artist, a true original sitting between Fennez and Pierre Schaeffer. His exploratory journey through sonic artefacts and the abstract notion of the sound between sounds has led him to receive accolades throughout the world. Dissonant sparks and cross faded bass rumble out of the P.A and such is the fine mastering of his music that every part of the perceivable (and I suspect the unperceivable, delving into what is known as infrasound, look it up) frequency range is delivered in abundance. There lies a contradiction within sound artists such as Hecker, in that they lurch their music forwards and build towards a crescendo, but as where a traditional band or artist would resolve the scale or crescendo, Hecker takes it away. This method wholly splits the audience. Some wanting that elusive reward, others content in the knowledge that in this film, the bad guy wins, you don’t find out who killed Cornel Mustard in the hall. Not being rewarded isn’t always gratifying, but it always makes you think.
Emboldened by the previous night’s gratifications and surprises, many go in search of a chance encounter, seeing bands they’ve never heard of, nor would ever encounter. However the word being uttered from everybody’s lips is Neurosis. The band is so influential I think it most likely that the brevity of coverage in mainstream media of metal and psychedelic music as a whole wouldn’t exist were it not for this timeless band. Most writers would go on to say how they are carved from aeon aged granite, woven with grief, delivered through cosmic power blah blah blah. They’re not, these superlatives always pop up in association with them, because there just seems a need to give them a sense that they are intangible that they cannot be of this world, such is their influence and epic scope. In actuality, they are very human and people forget just how vast the human condition is. However, they’re one of the rare bands that have managed to retain a sense of distance from their fans. See them live; you’ll shorten that distance without having to disturb your own harboured accolades.
Anyway, before that begins, we’ve a few treats centre stage. First off the bat is Bardo Pond, The Dead C and Maher Shalal Hash Baz. Each of these artists has one finger in each others pie. That being a blueberry and bastardization pie of the progressive genre. Each seamlessly binds their set to the next, these three being a truly inspired piece of music positioning and a joy to behold.
So, Neurosis time. It’s prudent to review both sets together, todays and tomorrows, to assess and briefly explore the differences between them. The sense of time in the room is excruciating, everybody straining for a view of what’s being wheeled on stage, everybody checking the time, everybody expecting…Neurosis must have this feeling with all their gigs. They must have feet this weight of expectation upon themselves a thousand times, but they visibly feed on it like a virus. The first sounds of sample and drum, guitar and vocal push the crowd back, an instantaneous reaction to the brute force being manoeuvred by the masters and there is no attempt to assuage the fury. Unrepentantly, they don’t even play to the crowd in terms of satisfying them with album openers etc, they go for the monoliths, the drawn out growls of songs. When the opening riff to Given to the Rising is exploded out, the crowd erupt into a swaying mob, all separate, all working as one. The ninety minutes pass by in an instant and there’s suddenly an empty hollow feeling that just perhaps life isn’t ever going to feel that real again. Solace is found in friends and bonds made anew over a shared experience and then you remember...it’s happening again tomorrow.
The second set is a much less attended affair, partly due to Weird Al Yankovic who is an absolute pearl of a booking, a parody of a parody, an opposition to all that claim on fame and is playing on the pavilion stage (The worst of the stages, placed under Butlins cavernous tent building, reverberation and standing waves can destroy a set here, as it did for the Yeah Yeah Yeah’s the previous year) and partly because of Clusters Krautrock excellence, but mainly because many people simply have partied too hard and are sleeping it off, or are leaving early to return to work the next day. This is a terrible shame. Although it wasn’t fully realised, though suspected, the sound engineer wasn’t up to his game on the previous night, though this night all lessons are learnt and the band are out to please the crowd. As Neurosis come to play Burn, the title track of ‘The Eye of Every Storm’, the place is still, moved but unable to move, as the moment comes when the song pulls back to deliver the growling prose of ‘This world of cold stone gives nothing in return to those who sleep whilst the restless burn’ there’s not a voice to be heard in the venue, a first for any gig? Every soul is intent on soaking up the message and the waves of emotion drawn from the fingers and mouths of these men when suddenly ‘the Neurosis moment’ comes from Steve von Till as he screams out ‘Don’t let it steal your’ and in that sonic conflagration, that auditory scream of voice and guitar becomes aflame and sets alight every single vehement voice in anger, every sorrow, all the moments that you’ve cared so deeply that it left an indelible impression upon your soul is fully realised...you feel so deeply that your heart hurts and your blood pumps so hard your chest feels like a storm and through this power, you know that nothing in this world can ever hurt you again.
It’s testament to ATP and Godspeeds excellent curating that they have managed to find a band that can follow Neurosis. They can’t beat it, but they can follow and help regain some sense of balance within. This band is Wolves in the Throne Room who are playing on this final evening. They’re a band whom seeing is a reverent one, reserved for those wanting a cathartic experience.
Wolves envelop the festival, blasting out dual guitars heavy with minor scale progressions, backed by a seamless drummer, absolutely finished with the piercing scream now expectant within the neo-black metal scene. Wolves have a deep mythology, seeking inspiration from their heavy environmental awareness and green attitude, living within the Appalachians Mountains, drawing upon the same elemental powers as their Norwegian predecessors did. It’s easy to see how Wolves came to be, when exploring their story. What’s unexpected is how soulful and joyous this music is. To the uninitiated, that is, somebody who has never listened to heavy music, they wouldn’t understand, nor would they have a care to. But were you to sit them down, explain the story, and show the inspiration, the link with nature and its reflection in the music, you just may produce a convert. Tonight, they made many.
ATP. It’s never failed. This year was the tenth year of its existence. Now, its puts on at least three unsponsored ‘tuborg'less’ festivals, a host of gigs across continents from bands you just don’t expect to see gigging very often and championing that which is so rare in music, the fact that there are only two types of music, good…and bad. Pigeonholing artists leads to arguments and admonishments.
As Steve Albini put so perfectly “There’s only three things I endorse, ATP Nutter Butter sandwich cookies and Abbey Road”
Sam Rhodes
Wednesday, 8 December 2010
Monday, 29 November 2010
Digital Cleanout
Laptop
Bibliotecheques library bastards fangtangort.
I don't like you.
What is my life, full of heavy handed waste and never looking back scourging.
breath and breath again, you lift, but never further.
Thursday, 11 November 2010
My prep for the private consult with the posh spinal expert..bleeeeurgh
ONLY ANSWER THE QUESTIONS HE ASKS YOU IN AS FEW WORDS AS POSSIBLE. IF HE ASKS YOU A YES/NO QUESTION, JUST RESPOND YES/NO. IF HE WANTS MORE INFORMATION HE WILL ASK YOU FOR IT.
HE HAS READ YOUR FILE, PROBABLY IN DEPTH BEFORE YOU GO IN THE ROOM…..HE WILL KNOW ABOUT SHEFFIELD, AND EVERY SINGLE REFERRAL AND EVERY SINGLE LETTER OF COMMUNICATION WILL BE IN YOUR FILE….IT IS NOT YOUR JOB TO TELL HIM. YOUR JOB IS TELL HIM HOW YOU FEEL. IF HE NEEDS ANY INFORMATION HE WILL ASK YOU FOR IT.
If he asks you to tell him what’s been going on you can tell him this but he probably knows it already. This is all you need to say if asked:
• Nearly 2 years ago I woke up with an extremely sharp pain in my neck and a strange feeling in the right arm. Over the next two weeks the pain increased greatly and I began to develop numbness weakness and pins and needles in my right arm mostly in the thumb and first finger
• My GP referred me to Sheffield Neurosurgery where they diagnosed a disc prolapse on MRI.
• After this I was booked in for surgery, however after review the operation was put back for six months whilst first trying conservative treatment.
• My symptoms have got worse and worse over 2 years even though the MRI’s etc have shown Improvement.
• Around June this year Sheffield discharged me from their clinic stating they could no longer perform the disectomy that I had been booked in for twice.
• My only treatment now under the NHS is under the pain clinic who are failing to manage my pain.
HE WILL ALREADY KNOW YOUR SYMPTOMS BUT IF HE ASKS TELL HIM EVERYTHING SUCCINTLY:
• Severe Pain in the neck, worsened by any movement
• Twitches in thumb and finger, less in the arm, occasionally the right leg
• Numbness and Pins and needles in the arm,
• Sprained ankle feeling in the neck,
• No movement of head for causation of pain.
• Shooting pains down the arm.
• No sleep.
• Skin Problem in extremities, skin thickening, peeling.
• Migraines
• Burning pain in skin around neck on the back
• Difficulty swallowing.
The most important thing out of all of this- even if you don’t say another word- you need to say to him is that you just can’t stand it any more….These problems have an extreme impact on my life, the physical nature of it leaves me unable to be independent, live a full life or work due to the extreme pain and most physical movement of any longevity leave me in greater pain and with less mobility. I understand that some of these symptoms are due to the meds that I’m on and not the condition itself and my biggest aim is to not be as dependent as I am now on medication.
The above should take no more than about 2 minutes……by that time he will be bored. Keep him interested, ask him questions and make him work for his money………………………………….
WRITE THIS LIST DOWN…… AND ONLY ASK THEM IF HE’S NOT ALREADY BROUGHT THEM UP…...
• What is it that you are able to do for me?
• what can you do to manage this problem.?
• If he can do something….what is the next step?
• What is the time frame?
• What do I need to do before I next see you again?
• What are the full costs of the treatments?
• What are potential funding options (NHS Provision etc)
• If you can’t do anything what is my next step as I feel like you’re my last option (if this happens it is not the end of the world but don’t leave his office until you get an answer)….what do you recommend?
• I need you to be honest with me…..is this something I need to learn to live with and if so how?
• What are the risks involved in treatment?
• What would my quality of life be after treatment?
• If you will see him again…..If I have any questions between now and then who can I speak to?
• If he doesn’t do it already ask him to summarise/you summarise everything you have gone over thoroughly before you leave the room to check you have everything straight in your head.
Tuesday, 26 October 2010
Kylesa Review
Spiral Shadow
Still reeling from the wake of their runaway psych trip “Static tensions” Kylesa have decided to bring up the rearguard and deliver a final crushing blow…and what a weaving serpentine offering it is.
It may seem strange to find Kylesa releasing another album so soon after the richly deserved accolades of last year, yet here they are. No really, here they are! They’ve experienced another paradigm shift. Not content with their murky sludgecore pre-Static Tensions, they branched out to dip you into the hallucinogenic swamp of the aforementioned epic. Hell, even the Baizley artwork was enough to bring the genie out of the bottle, but they’re here because they’ve turned on their own screw again.
This album is far greater than the sum of its parts, melding sun and snakes and sniper-like acoustics. The dual percussive attack has been produced to the nth degree; the midrange separation of vocals and guitars has finally allowed the two to escape each other, revealing an impassioned soul that’s been lurking below all this time.
Here there are no haircuts, no hype, no hubris and no ego.
Here the snake doesn’t have to be charmed out because what’s on offer is so succinct, so striking, you’ll be hoping the follow-up to this comes just as quickly.
Work writing
Anaal Nathrakh
In the Constellation of the Black Widow
There’s a brooding sense of malice that enters the mind when it’s known Anaal Nathrakh are releasing a new album. Their musical journey is an allegory to the rise and thunder of the Industrial Age, born in the Ironbridge Gorge mere miles from where this doomstruck duo had their formative years. To this day that legacy leaves an impression upon the landscape and it’s inhabitants (If you’re unaware of Birmingham’s musical heritage then you’ve taken a wrong turn, turn round and find Black Sabbath Avenue…understood?)
Close your eyes and as the introductory notes tear out, you feel brimstone beneath your feet and begin to engage with the malevolence within your soul. It could just be the intensified production value that’s improving with each album furthering the illustrative sonic nature of A.N, though some claim this is taking them ever further from their purist Black Metal beginnings, or it could just be that within this aural cacophony of bile soaked spite there truly is the means to take over Hell itself.
This is the elixir of heavy. Every listen changes the minds eye, giving snapshots into a brutal and industrial past, flickering briefly into our apocalyptic future. The sky has indeed been set aflame.
Wednesday, 20 October 2010
Kerrang Vs Terroriser
Tuesday, 19 October 2010
Sunday, 17 October 2010
Nathrakh post for the group
As you're probably aware from the posts by Laverty and Shymond, Nathrakh are touring again. Needless to say, those of you that have experienced that rolling juggernaut of bile soaked aural hatefuck will be doing anything within your means to say "I'm seeing them again." Those of you that haven't been fortunate to come face to face with the assault that is Anaal Nathrakh, i cannot envisage a greater sonic evening for you to do this than attending the forthcoming Damnation Festival. It's available from very reputable sources that their set will be the one not to miss, let alone the festival as a whole, which has grown into one of the highlights of the musical year. I wholeheartedly advise you beg, borrow and raid your piggy banks to get to this event.
Those of you who haven't heard or investigated the line-up so far can get more information here
http://www.damnationfestival.co.uk/zine
Whereupon you will also see a couple of little ol' bands listed called earthtone9 and The Dillinger Escape Plan, the former playing once more after an extremely long hiatus. These guys were the first bands i ever saw live and the ones that cemented my insatiable desire to see as much music as possible. To just have these three aforementioned bands on one ticket would be enough to make me travel abroad for a gig, so for those Nathrakh fans salivating over the Damnation line-up in far away countries, get thee'sen ower to the north.
Also, there's an extremely diverting interview with Mr Dave Hunt on the Damnation website expounding on The Lucifer Effect and its use as inspiration for the track, the resonating issues of what causes evil within people, whether its a cognitive element or a hereditary one and generally on the state of humanity as a whole,something which is always diverting. He is a intelligent force and well worth a read if you're at all interested in finding out about Nathrakh ethos and direction.
It also has a link to a video lecture delivered by the author of the Lucifer Effect, its content being more eloquently delivered by Dave and the proponent of the idea, Philip Zimbardo.
http://www.ted.com/talks/philip_zimbardo_on_the_psychology_of_evil.html
There is other live dates peppered throughout Europe for those that are unable to attend the Damnation Festival, check the group feed for the dates.
Also, in conclusion, you might have spotted that Nathrakh are playing with MAYHEM in December. However much i wish this could have been a Halloween gig (the connotations being too perfect, pigs heads on spikes on Halloween would have really tickled my black metal gland) this is happening on the 18th December, which is the day after my birthday so im self hijacking the event for my own ends (though nobody else will know this, thus making me a lonely purveyor of metal) but, all that aside, this gig is an amazing development, Mayhem being arguably the most important and relevant band in Black Metal...although if i remember rightly, it was pointed out to me that the E Channel or MTV2 did a 100 most shocking moments in music and the murder of Euronymous by Varg Vikernes aka good ol' Count Grishnackh (he seems more of a cartoon character to me these days, which belies his actual wickedness)...anyhoo, this countdown placed this event at something like number 67, right next to Shitney Peer's shaving head incident??? So it seems that the ignorance of Black Metal and associated culture by mainstream media (everywhere apart from the Scandinavian Countries) is well and truly going strong when hair cutting is considered as shocking as murder/necklace creating from skull shards.
Just bloody come along, Mayhem have found themselves in a truly important renaissance and their live performances are following suit. Throw Dragged into Sunlight with Anaal Nathrakh into the mix and you have the best singular gig of the year. Be there. Here's the link for the facebook event
http://www.facebook.com/event.php?eid=128062003911234
That's all for now, im sure the other admins have any other answers to more in-depth questions you might have.
Look left, look right, look left again!! Words to live by.
Saturday, 11 September 2010
Thursday, 22 July 2010
Bugbears and Interviews from less than vampires
I'd like to know if there's some form of rigorous test for measuring how much people are pissed off by things!! Is it that everyone is annoyed by everything, that most things are considered irksome and were bound by some early influenced cognitive behaviour pattern that prevents us from outlaying our discourse of unhappiness to the offending article.
Whats makes you find something irritating. Whats gives us patience? Does someone tapping on a table with a beer bottle annoy everyone, with people reacting and asking for it to be stopped at varying degrees of time. Consider the poor woman in London, who did exactly that, to find the offending beer bottle tapping twat finds being told what to do more irritating than his own action and thus brings a culmination of extreme violence. Did the girl want to perform this gross act upon the man tapping the beer bottle. It surely must have drove to the centre of her soul to tell someone of twice her size to stop doing what he is doing, because that goes directly against Darwinian ethic, survival of the fittest and all that (actually, the girl was a dancer and was fittest, but even the fittest person can be felled by a sucker punch)
Instead of being taught good manners, mind those P+Q's, respect your elders by our parents...we should perhaps be taught to strive to always be able to understand that constructive criticism is a CONSTRUCTIVE thing, because to my knowledge, nobody likes criticism, is blind to what constructive criticism could bring about and certainly doesn't like to be told that what they're doing is annoying.
So, from now on, i propose a module of ethics, with an intense week every month being taught the value of criticism, through the art of dialectic argument. That or find some Socrates DNA, bring the git back to life and put one in every home.
(I know im pissing off a lot of people with the ethical implications of the previous paragraph were it possible, but what the fuck.....i just don't care)
Sunday, 11 July 2010
Post modern pissup virtues
Saturday, 10 July 2010
Sleep, rest, what is best
When you cannot claim any length of sleep, as I cannot with my pain and injury, I feign sleep. I lay with eyes closed pretending. Is this detrimental to associating sleep with the bedroom? Is it better for me to get up, and go when I'm ready, but I'm never ready, the sleep is never consistent. The only time I sleep is when I have my girlfriend in my bed. She relaxes me, and the pain doesn't seem too much, bar when I wake. The grimace of pain sometimes hurts her I think, but actually getting some sleep makes me worse. Lying in the same position, sleeping and the pain not waking me puts me into a worse state the next day. It's a dilemma I can't figure out.
Am I as best to stay away during my disability. Am I to keep my bedroom untainted, and so, when the day comes I can sleep unfettered and without malice, I can do so with a heavy sleep, as I have not had this past 19months.
Or, shall I lay in bed and shut my eyes and lay there. Is there any benefit to laying with your eyes closed. Does an insomniac do this? Do they try and sleep, or not try, till the body makes them. I do sleep, two nights of the week. Two nights of naught but idle grabs, then I am so withdrawn and sleepy, I can sleep through the pain. My medication doesn't make me sleep, but on the nights I do, it keeps me so, until I feel rested, and that next day, I feel stimulated, but I feel overwraught, because sleeping makes me worse. Laying in a prone position for any time hurts. So, I think...
Is it best to go to bed every night, at the same time, rising at the same time, watching my eyelids? Do you get rest from doing that. Because it makes me more angry than anything else. And so I don't rest any better. I rest in my chair, no sleeping, just resting. This doesn't make me angry. Doing it in bed does. What's a shitneck to do. How do I approach this??
Thursday, 8 July 2010
Buddhists don't think content
Wednesday, 7 July 2010
Poetic Flourishes apparently
Been a very special day!! Grand salutation to the Krent of Thon, deep aesthetic hues of nature coupled with hard elbow graft directed at Pythagoras's triangle, with instinctual flourishes channeled through all that came. Together we bound an ethic and completed a phase. Then the bloody BBQ got going and the cogs gave out. Damn burgers.
Gardening: The physical and benevolent succour displayed by all of late has brought untold serotonin rushes with every mind reference. However, phase3, the side jungle patch needs further work, and to be true, the harder part. Team'sA+B need to scour said patch, rake and hoe, remove every stone till twelve" of tilth exists. Thereupon, winter carrots, pumpkins and squashes, spinach and Kale will exist..in abundance.
Saturday, 3 July 2010
GardenPhaseCrewsssssss
Wednesday, 30 June 2010
Eye Patch Sleep
Recently, my Girl bought me a very desired eye mask, black material with a cotton stitched "Sammy" across its front, in pink I might add. She knows what will please me in a way nobody else can, and maybe thats the point. However, thats a discussion best served between two people as an affirmation, not as a fleeting glance here.
So, I rise with the sun on my own terms, I am protected!!! I do however wake consistently due to the fact my neck and arm feel like an electric fire with the heat rods through my nerves..inside I die, like Sonny the frog from League of Gentlemen (cast your mind back..unless you haven't seen it, which means you're missing out on something far greater than sleep.
Summer months wreak havoc. I sleep less, im warm more, I sweat profusely at the idea of heating myself, and i dont know why, though theres many theories, and no matter how much I look online for an answer, there isn't one, except the Botox injection into the area, which sounds like a Freddy Krueger moment, though with the little sleep I have, I dont think I have to worry about him...although it comes to mind that speaking about a fictional character as if he is a tangible existing object, then im screwed anyway. No rest for the wicked, because if you do, "Freddy's coming for you"
Tuesday, 15 June 2010
Proving a negative
How do you prove a negative?
Some people would cry that trying to is a little silly, dabbling in a world skirting in physics and overtly using grey matter much more useful appropriated to the running of day to day life, though i wont comment on what those lives are filled with. Far be it from me.
Some people ask how do you prove a negative. The most obvious to call to mind being the lottery. Statistically, you have more chance of meeting Elvis in the form of a gerbil, sanguine, fluent in mandarin and somehow a brilliant fuck?
However, you can prove a negative. Some people do win the lottery. Some of them elect the publicity please box and shake their first post-hundred quid bottle of now throwaway wine over the nearest Camelot Executive thinking they too are reveling with you, perhaps not realising you're Britain 498th millionaire and this is the four hundred and ninety ninth pair of J.James shoes ruined (They always come prepared for this eventuality)
I always muse on the life of a Camelot worker. How would it be to work so close to so much wealth being appropriated, yet you cannot take part. Herein maybe lies the crux, perhaps these people are the ones most at ease with the negative proved. They accept it happens, yet they carry on regardless (I'm running unquoted, if you know any Camelot workers, please point them my way, I'd love to pick their brain)
Are these people the happiest people in the country? I really need to know this. How can you work so close to the negative being proved positive all the time, never being in the running for this slim glimpse at happiness, but operate life's wheel away, when in actuality, this isn't the modus operandi of the fates. The fates want you to fail from the outset. A newborn baby is more close to death than to life, but 6 billion people on the planet prove this wrong. We are constantly reminded of death, war, destruction, yet we manage to carve out a life.
Does surrounding yourself near failure, poor ratings, walking under ladders, eating chips near seagulls...does this make you happier. If you bring unhappiness more to the table, do you truly appreciate the good things.
Those that fight adversity, overcome horrific disease, walk the globe for charity blah blah blah (sardonic mood, please forgive planet) seem to have that aura of "Fuck You" and nothing bad is ever going to happen to me. You see it all the time, even eleven year olds are now scaling Everest to triumph for Wham Bars for every one and new fly-me helicopters for all children..every one's at proving positives. Are these people truly happy.
Which is it. Which brings happiness. What brings you that tingling buzz when you wake in a morning and think that's its another day and its going to be a good one. Does surrounding yourself near bad things highlight your good things, or does doing good things keep good things away.
Is it easier to enforce a positive than to disprove a negative. Or, are they equal on both sides of the equation.
Personally, today, i had many negatives proved, and i do not feel happier for it.
Skipping six paragraphs and an ink blot of cliched digital tears on the page, its lead to some positives suddenly occurring to me. Within my skipped paragraphs and blotted tear i have figured something out. Eliminate negatives, you get left with positives.
(Include area for further post reflection on what brings happiness)
Nothing happens by chance. Life is a formula, put ignorantly and a word for said many times before....
The more you put into your formula, the more you will get out, or the more likely you are to get what you want.
So, to my original point....how to prove a negative. Put simply, you need to embrace the negative.
Like the Camelot worker...being so close to all those negatives being proved, I want the same. I don't care how many shoes get ruined, I'm going to keep trying. Bring those negatives to you and prove them wrong, doing so, i hope, is going to bring me a plateau of positives. My neck's fucked, that being a negative, but on reflection, i find positives from it. I think It's already begun.
No need for this to start http://www.youtube.com/watch?v=AtHfzaBhSxo
Saturday, 12 June 2010
Early mornings letting a love lie-in'
A reversal of situations, my girl being up all week at a sordid hour, but she arrives, and I get up early, letting have the full bed to stretch out in and sleep sleep. Not to say I don't get up late through the week, though I do have a differing set of problems. My pain prevents me from going to sleep of a night, though not going to bed I guess. However, no matter what time I sleep, I'll try to wake at a time my girl would wake, part out of empathy, part out of retaining a sense of continuity and grasp on the real world. I want to say something forced and tacky like "What is the real world". Sounds like something Bill Paxon would relish saying at the beginning of some mid-range film. But that doesn't change it none. I don't feel part of the world ticking by, I feel like I'm sat in my own microcosm of a world, it hasn't changed, peripheral moments change, i remain the same. Doctors come and go, ideas, prognosis, diagnosis, treatment, nothing, hopes swell and become swollen and pushed down. I don't change, I melt.
Wednesday, 9 June 2010
English pride, save St George and attach him with pins to a day where we can all get drunk for no reason other than to actually get drunk
Everyone looks cooler smoking
An Anthology of Dead thoughts: She is my reason
Pain Clinic
Attended the pain clinic, had the pain clinics procedure, feel like someones Voodoo doll, but without any euphoric effects of hearing a great song.Instead of playing twenty questions with a Neurosurgeon, i played twenty injections with the pain surgeon.Makes everything else hurt that hurt less before hurt more. General hurt, generally pained. Always pain. Usually as i wake..till the moment i sleep...until i wake throughout the period of time i should sleep, until i wake for the day.. repetitive infinitum
Tuesday, 8 June 2010
A facebook post pretty much summing up my medical condition twatcrisis for the past year and a half....so excuse the poor english, i was thinktyping
I stretched awake, monstrous movement and writing limbs, I wrestled with the notion of leaving my slumber. I never open my eyes slowly, as romantic moments in fim noir would have you believe. I snap awake, as if the greatest danger would be waiting for me. It’s the strangest moment of my day every day, it takes time for my senses to come to me and for those few seconds, I know what it is to be truly lost, to be abandoned in my own mind. I recognise nothing, I understand nothing, and I am not myself.
It doesn’t last, my trapdoors opening up, the fluid of my thoughts begins to channel through the proper lines and I become "me" again. Once I enjoyed this moment, because for a moment, I couldn’t remember anything, so I couldn’t remember how much I hurt. I forgot what had come before and I was grateful for that slight release, but as I became aware, my heart became like lead.
I swing my legs to the carpet and feel that strange wiry mess upon my feet and scratch my head. Usually, this is accompanied by the arrival of children to the local school, their cries of glee at a new day stood in stark contrast to my rebuttal of what I had to come. Its windy outside, I see the manufactured, there but for the grace of the council play trees, their branches dancing in the strong northerly. Today would be a good day for a walk, but today I can’t.
I hear the pap of a deep baritone horn; my friend has arrived. I have slept too late. I go to open the door and let him in. his usual cries bring me a little warmth. He always makes me smile.
“Alright nonce breath, you just got up…you lazy fuck” he spits out without thought. Our natural conversation has been developed over many years of friendship, to the point where we can understand every subtle nuance, every movement. He’s been a good friend, not your conventional one mind, but is conventional..and who on this feckless earth wants average in a friend, but that’s something for later introspection.